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	<title>Architecture en France &#187; height</title>
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		<title>Medieval Style and Art in France</title>
		<link>http://www.archi-en-france.com/medieval-style-and-art-in-france/</link>
		<comments>http://www.archi-en-france.com/medieval-style-and-art-in-france/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 04:44:09 +0000</pubDate>
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				<category><![CDATA[Building Architecture]]></category>
		<category><![CDATA[Age]]></category>
		<category><![CDATA[aisle]]></category>
		<category><![CDATA[Albi]]></category>
		<category><![CDATA[Amiens]]></category>
		<category><![CDATA[angel]]></category>
		<category><![CDATA[architect]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art in france]]></category>
		<category><![CDATA[Beauce]]></category>
		<category><![CDATA[Biblical]]></category>
		<category><![CDATA[Bourges]]></category>
		<category><![CDATA[brick]]></category>
		<category><![CDATA[building]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[Cathedrals]]></category>
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		<category><![CDATA[chartres cathedral]]></category>
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		<category><![CDATA[depth]]></category>
		<category><![CDATA[detail]]></category>
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		<category><![CDATA[Eure]]></category>
		<category><![CDATA[exterior]]></category>
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		<category><![CDATA[Fine]]></category>
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		<category><![CDATA[French]]></category>
		<category><![CDATA[french cathedrals]]></category>
		<category><![CDATA[french gothic cathedrals]]></category>
		<category><![CDATA[front]]></category>
		<category><![CDATA[furriers]]></category>
		<category><![CDATA[geometrical proportions]]></category>
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		<category><![CDATA[gothic style]]></category>
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		<category><![CDATA[height]]></category>
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		<category><![CDATA[transept]]></category>
		<category><![CDATA[transparence]]></category>
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		<guid isPermaLink="false">http://www.archi-en-france.com/?p=52</guid>
		<description><![CDATA[Top Ten French Gothic Cathedrals
The Gothic style originated in France; the Ile de France and Picardy are dotted with fine cathedrals.These ten cathedrals represent the heights of the Gothic style. But warning; if you get addicted, you’re going to want to search out the others too – Sens and Senlis, Soissons, Noyon, Mantes&#8230; you might [...]]]></description>
			<content:encoded><![CDATA[<p>Top Ten French Gothic Cathedrals</p>
<p>The Gothic style originated in France; the Ile de France and Picardy are dotted with fine cathedrals.These ten cathedrals represent the heights of the Gothic style. But warning; if you get addicted, you’re going to want to search out the others too – Sens and Senlis, Soissons, Noyon, Mantes&#8230; you might never stop!<br />
1.	Laon is one of the earliest Gothic cathedrals, but its architect created marvellous effects of transparence and depth in the façade and the famous towers. At the top of the towers are the famous bulls of Laon, said to be statues of the oxen which dragged the stone from the quarries up the hill to the cathedral. The church is filled with light, and the pristine simplicity of the architecture makes this little visited cathedral an obligatory stop for any traveller who wants to understand the aspirations of the early Gothic.<span id="more-52"></span><br />
2.	Chartres cathedral rises on a hill above the river Eure and the cornfields of Beauce. This is Gothic style at its most classic and powerful. The west front and transept porches are finely carved with figures of prophets and saints, and much of the original stained glass survives. The little figures of the donors at the bottoms of the windows, all exercising their trades – furriers, carpenters, bakers – are worth seeking out for an unusually realistic view of medieval life.<br />
3.	Notre Dame, Paris is perhaps not the finest of the Gothic cathedrals, and lost most of its furnishings in the French Revolution. But the façade, an almost square, monumental form, shows perfectly how the Gothic style uses geometrical proportions to create strongly articulated architecture.<br />
4.	Bourges is the most visionary of French cathedrals – a single, huge, open space without transept or narthex to break the pattern. Its double aisles are arranged so that the central aisle is a miniature copy of the nave of the church, with its own triforium and clerestory – as if the cathedral had been sliced in two and a new one inserted into the middle. As at Chartres, the stained glass is original – and since much of it is in the side chapels, close-up viewing is possible.<br />
5.	Amiens cathedral is massive – the biggest Gothic cathedral in France. And it’s a very pure Gothic style – simple, light, serene. The west front is full of carved detail, including symbols of the labours of the months and the virtues and vices as well as Biblical personages and local saints.<br />
6.	Reims cathedral was where the French kings were crowned; royal patronage made it a wealthy and strikingly beautiful building. The statues of the west façade – particularly the ‘smiling angel’ &#8211; have a grace and plasticity that make them the summit of the Gothic style in sculpture. Inside, the sheer height of the church is amazing.<br />
7.	Strasbourg cathedral’s lace like façade is a marvel, particularly when the setting sun brings out the redness of the sandstone. Inside, the famous astronomical clock provides a kitsch counterpoint to the glories of the Gothic nave.<br />
8.	Beauvais was the most ambitious of the Gothic cathedrals. Pride becomes before a fall, though, and after two separate vault collapses, the masons just gave up – the building was never finished. Even the stub of the church, though, is impressive – the highest and lightest work that the Gothic ever produced.<br />
9.	Albi cathedral is very different from any of the northern cathedrals. Its southern Gothic style is massive and ponderous, not light and transparent, and as if to stress the difference, it’s built in brick, not stone. But though the exterior looks like a fortress, inside it’s a treasure house of art, including fine frescoes, a painted vault, and a rood screen covered in painted statues.<br />
10.	The little-known Saint-Bertrand de Comminges isn&#8217;t one of the architectural masterpieces of France. But with its mixture of Romanesque narthex and Gothic nave, and its fine stained glass and Renaissance choir stalls, it’s one of those delightful places where every age has left its impression and every glance discovers new beauties. And how could you miss out a cathedral with its own stuffed crocodile?</p>
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		<title>Human-centered Focus in Architecture and Painting</title>
		<link>http://www.archi-en-france.com/human-centered-focus-in-architecture-and-painting/</link>
		<comments>http://www.archi-en-france.com/human-centered-focus-in-architecture-and-painting/#comments</comments>
		<pubDate>Tue, 29 Jun 2010 04:37:29 +0000</pubDate>
		<dc:creator></dc:creator>
				<category><![CDATA[Building Architecture]]></category>
		<category><![CDATA[accuracy]]></category>
		<category><![CDATA[Age]]></category>
		<category><![CDATA[aim]]></category>
		<category><![CDATA[anatomy]]></category>
		<category><![CDATA[animals and nature]]></category>
		<category><![CDATA[Approach]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[beauty]]></category>
		<category><![CDATA[body]]></category>
		<category><![CDATA[cathedral]]></category>
		<category><![CDATA[century]]></category>
		<category><![CDATA[Cologne]]></category>
		<category><![CDATA[cologne cathedral]]></category>
		<category><![CDATA[concern]]></category>
		<category><![CDATA[dame de paris]]></category>
		<category><![CDATA[dissection]]></category>
		<category><![CDATA[Donatello]]></category>
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		<category><![CDATA[geometry]]></category>
		<category><![CDATA[glory]]></category>
		<category><![CDATA[Golden]]></category>
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		<category><![CDATA[gothic style architecture]]></category>
		<category><![CDATA[height]]></category>
		<category><![CDATA[human anatomy]]></category>
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		<category><![CDATA[Influence]]></category>
		<category><![CDATA[influence of the renaissance]]></category>
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		<category><![CDATA[invention of the printing press]]></category>
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		<guid isPermaLink="false">http://www.archi-en-france.com/?p=40</guid>
		<description><![CDATA[
Some of the greatest and most enduring accomplishments and advances of the Renaissance were in architecture and the fine arts. The main emphasis of these areas was on humanity and human nature and as a result it was a conscious turn away from the otherworldly concerns of the Middle Ages.
Renaissance Replacement of Gothic Style Architecture
In [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.archi-en-france.com/wp-content/uploads/2010/06/626082_com_renaissanc.jpg"><img src="http://www.archi-en-france.com/wp-content/uploads/2010/06/626082_com_renaissanc.jpg" alt="" title="626082_com_renaissanc" width="110" height="110" class="alignleft size-full wp-image-41" /></a><br />
Some of the greatest and most enduring accomplishments and advances of the Renaissance were in architecture and the fine arts. The main emphasis of these areas was on humanity and human nature and as a result it was a conscious turn away from the otherworldly concerns of the Middle Ages.<br />
Renaissance Replacement of Gothic Style Architecture<br />
In architecture the Renaissance churches and buildings replaced the lofty and complex Gothic style of the Middle Ages with a more personal touch of rich and sensuous Renaissance architecture. The Gothic style had been characterized by an emphasis on “height” with the aim to create majestic buildings, such as the Notre Dame de Paris or the Cologne Cathedral. These churches were intended to signify and demonstrate the power of God and of such religious institutions leading people to worship the glory of God.<span id="more-40"></span><br />
However, the focus of Renaissance architecture was on geometry and symmetry. This new approach to architecture was largely inspired and propelled by a return to humanist values of ancient Greek and Roman thought and philosophy, an era the Renaissance considered the “Golden Age”. It started in Italy in the 15th century and later spread to the rest of Europe facilitated and greatly benefited by the invention of the printing press.<br />
The Influence of the Renaissance on Sculpture and Painting<br />
The natural forms and beauty of the human body redefined and revolutionized the style of Renaissance painting and sculpture by famous sculptors like Michelangelo, Donatello and Verrocchio.<br />
Both in sculpture and painting the artists’ eye for naturalistic details of human anatomy and attempts to create “lifelike” people, animals, and nature was opposed to the otherworldly point of view of the Middle Ages, where natural accuracy was not seen as relevant; instead religious symbolism and spiritual aspects were regarded as the predominant force and inspiration of medieval painting and art.<br />
In fact, during the Renaissance the body came to be seen as an operating machine, which is, for example, reflected in the drawings by Leonardo Da Vinci. This new approach was also a by-product of renewed medical and research and dissection, which was relevant for the growing concern of accurate portrayal of the human body.<br />
Consequently, during the Renaissance, the human anatomy became an object of close scrutiny and study influencing various other parts of human life and art and later leading to systematic empirical research and the dawning of science.</p>
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